![]() Recorded two years ago and constantly pushed back because of his film commitments, Zombie’s fourth solo album turns out to be an interesting change from what we’ve come to expect. Of course, that’s not like Rob Zombie at all: the dude never seems content to rest on his laurels, even if the best he can manage is constantly re-hashing the same old formula, as he did on 2001’s The Sinister Urge and 2006’s Educated Horses. He could simply return every once in a while and cart out the classic songs and lavish stage show, just as he did in 2007 when he toured arenas with Ozzy Osbourne, and nobody would complain. His musical legacy is set, plus he’s gone on to enjoy a very fruitful new career as a horror movie director with five popular feature films now under his belt, and counting. 1, Astro-Creep 2000, and Hellbilly Deluxe, Rob Zombie doesn’t have to put out another new album again. Having created one of shock rock’s most distinctive sounds with White Zombie and on his own with such great albums as La Sexorcisto: Devil Music, Vol.
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